My novel, The Magic Bullet, a high concept thriller that brings a new fictional perspective to the assassination of John F. Kennedy, has reached a final edit and is ready to be formatted for the printers. Watch this space for announcements concerning a firm date for publication
In the last weeks of the millennium, December of 1999, Joseph Edward Billings III, named in a popular financial magazine as number 423 in their annual listing of the 500 richest men in the world, has been diagnosed with fourth stage cancer… incurable and advanced. A Korean War veteran who served as a sniper on the front lines, Joe returned to the States and stumbled into the opportunity of a lifetime. Serving first as a well-paid mercenary, employed by American corporations, oil companies and financial institutions, protecting their investments in Central and South America against insurgents, he wound up working as a contractor for the fledgling CIA and through his work, developed connections with influential people in every seat of power from the legitimate corporate world to the criminal underworld.
Joe has a terrible secret and the terminal diagnosis triggers in him the desire to bring it to light. He decides to tell the story of his life as context to reveal that which he’d kept hidden for more than 36 years, a secret that will finally end the relentless speculation concerning the death of John Fitzgerald Kennedy in Dallas, Texas, on November 22, 1963. Joe writes…
Pictures of the earth from space make it seem so utterly beautiful, quite serene with its rich, diverse colors… blues and greens and sands and browns… all layered over with the wisps and marbling smoke of clouds, such that you could never imagine without knowing its past that such a place has been the scene of wars and genocide, a planet with a long sad history of horrific violence and unutterable brutality.
Similarly, there’s no law of nature I am aware of to suggest that a killer’s appearance reflects his violent nature. In fact, a pleasant appearance and appealing physical symmetry are the hallmarks of many predators in the animal world. The tiger, the hawk, the eagle, the lion, and the wolf are all beautiful creatures. Even sharks have a certain elegance in their physical makeup, graceful, smooth lines throughout their length, soft features in terms of color and aspect, however deadly are the hidden rows of teeth they use to shred and flay the flesh of their victims. A perceived threat from the sighting of predators in the animal kingdom comes only with the foreknowledge of their predilection for the hunt and their talent for killing.
With humans, it’s ever so much harder to see. A pleasant smile and a civilized tone can hide from you a multitude of sins. What’s more, they can be an advantage for people like me, a natural camouflage for malicious intent. The facts of my life are the true measure thereof, not my good looks.
One fact above all…
Though there have been many otherwise theories and speculations, an intense government investigation and a book length report signed by men whose famous names gave weight to its conclusion, the Warren Report declared with finality that Lee Harvey Oswald, firing from a window in the Texas School Book Depository, killed John Fitzgerald Kennedy in Dallas on November 22, 1963. While that report concluded that he acted alone, people have always harbored significant doubts about what happened that day.
Who did what… and why?
If you took an honest poll today, in the wake of so many subsequent theories in a plenitude of books that raised doubt about the Commission’s finding, books that suggest conspiracies and alternate theories surrounding the Kennedy assassination, you might find that the sum of the common wisdom is this, “No one really knows who it was who fired the fatal shot, the one that actually killed the President.”
Not knowing who… how could anyone ever know why?
Me? I can tell you everything because I was there and I was involved.
“Who did it?” is the easier question for me to answer.
Just a few words do the job quite nicely.
It was me. I did it.
I killed John F. Kennedy. Though I was not a “lone gunman” but one of several, I fired the one and final shot that took off the top of JFK’s head and killed him. The harder question to answer, even for me, is the one that asks, “Why?”
The Magic Bullet is the strange story of an extraordinary man, a fictional assassin who knows who he is, what he’s done, and why he did it. He tells his story without reservations, without the saving graces of vanity and self-image. As Joe explains it… “Any little side trip into self-serving rhetoric will only pollute the truth and I want this to be truthful above all. Truth at all cost, even at the expense of my own vanity.” In giving you the context of his life’s story as a way of revealing a lifetime of secrets and subterfuge, he is trying to answer that one unanswered question… “Why?”
Coming soon. Watch this space for announcements concerning how to purchase this riveting thriller that brings new perspectives to old mysteries with a cast of characters you will never forget… a story you won’t want to miss.
Book signings are a wonderful way to reach the people for whom the author writes, an excellent promotional tool, but one that is essentially unavailable during a pandemic, so… it’s time to make exception work. The question is… what is the viable alternative and how do you make it happen?
Improvise, adapt, and overcome…
If it’s good enough for the Marine Corps, how much better for the indie author (slowly getting used to the title, but it still feels strange). Nobody’s going to do it for us… well, let me take that back. There are people who can and will do it for you, but they want a piece of the pie…. “In advance, please.” For those of us with limited funds, the job inevitably falls on us, so what’s the answer?
How about a virtual book signing?
And well you may ask, because I don’t know yet, but we’ll figure this out.
It’s the American way, but… while you are here, check this out:
With KDP Amazon, my anthology, Shrapnel: Short Stories, is getting world-wide distribution. Today, it’s available to English speakers in every nation across the globe where people are able to order books through Amazon’s web site.
I was pleased to see that my first review (five stars) came today from Canada. Hello, Canada, and thank you.
My book is available everywhere in the Kindle Version and a quality paperback book is also now available for delivery in the USA, the United Kingdom, Germany, France, Spain, Italy, Japan, and of course, in Canada. Amazon usually ships within three days. In the near future, and for those who are unable to order a paperback copy from Amazon in their country, but would prefer a book to the various e-reader devices, I will offer it for sale (autographed, if so desired) right here on my website and for the same price as Amazon, with the addition, of course, of a relevant charge for shipping and handling (cost will vary according to the destination). Watch this space for announcements.
If you live in the USA, your link to order Shrapnel: Short Stories in Kindle or paperback is here: Amazon.com
Links to purchase Shrapnel outside of the USA are listed as follows:
United Kingdom: Amazon.co.uk
If you purchase Shrapnel: Short Stories, I do hope you will take the time to leave a review on Amazon. This is the first of what I hope will be many books to come in the near future. An honest appraisal of this book and its content will help me to learn what you think about my work and what, if anything, I can do to make it better for you. There is a novel in the works right now that should be ready for publication before the end of 2020.
Watch this space
For more information about the anthology and what it contains, visit the book’s web page here at: Shrapnel: Short Stories
Considering that the launch came sooner than I thought and on a weekend and quite caught me off guard, it went well enough, I think. I am new to KDP Amazon and to independent publishing, so there is quite a learning curve. I hope that when you order my book, if you experience any issues with shipping or quality of the product, you will let me know and I will do everything I can to resolve the issue,,. but Amazon is very good at permitting a refund.
As soon as I can align the logistics involved and for those who might be interested, I will be selling autographed paperback copies of Shrapnel online right here my website, so watch this space. Heck, I understand that my autograph and $4.15 will get you a Venti Caffe Latte at any Starbucks in the US.
Seriously though, feel free to contact me if you have any issues with either the Kindle or paperback copies of the book. Of course, if you don’t like my writing, that’s quite another story. Taste in literature is diverse and some people may not like what I write, even though others might love it. An eclectic choice of styles and lengths like the short stories which comprise Shrapnel’s collection should offer something to everybody, but if you prefer bodice-ripping romance, dystopian science fiction, westerns, vampires, or shape shifting, shamanistic teenage mutants, or Christian-themed literature with pristine language, I’m probably not going to be your favorite author.
If you do have an issue or if you want to tell me what you think about my book, good or bad, please feel free to email me at:
I would love to hear from you. And if you haven’t ordered my book… what in the world are you waiting for? Christ on a cupcake… what ever will you tell your friends when they ask you if you’ve read it?!?!
Here’s the link again for those who missed it:
On the path to publishing my book, I’ve had to stop, step back, and start over more than once, but with increased effort, I still managed to stay fairly close to my original schedule. Very close now, in fact, to the announcement of a firm release date.
My anthology of short fiction was more or less complete about a month ago, but there is more to publishing a book than most writers generally imagine. It’s been a series of discoveries for me, not unpleasant, but a lot more work than I imagined when first I thought of taking this route. There is so much to learn when you are publishing your own work and it is one reason, I suppose, that many writers don’t even try.
There was, in times past, a particular and forbidding stigma attached to “self-publishing” which was generally then referred to as “vanity publishing.” Perhaps that attitude still exists, prevalent, I am sure, among those who are fortunate enough to have successfully bypassed the formidable corps of gatekeepers who surround the modern publishing industry like a moat defending the castle keep, which may sound like hyperbole in metaphor, but not when you’ve tried to approach the industry without a bankable name or a record of previous success.
The decision, finally, to self publish was difficult for me because I am of an age that I felt a strong and personal disinclination to do so, specifically because of that stigma, the belief among writers from my generation that, if a writer was worth reading, he or she could certainly get published… that and the prevailing notion that all self-published books tended to be amateurish and generally bad… that all “vanity publishers” were scammers and thieves. (Not an unfounded notion back then)
However, many publishers in the industry today drastically limit the number of new writers on whom they are willing to take a chance because of strict business guidelines and the corporate need for consistently high investor return. While I have enjoyed success in publishing shorter fiction in literary journals, the task of getting a book considered by a publisher becomes more difficult every year. The competition is more than fierce… it’s forbidding. I know from experience how long and hard that process can be…. and it can take a year or more for a completed manuscript to finally get to print.
Even if a new writer manages to find a publisher willing to take a chance on them, they are expected to put in a great deal of effort into the marketing of the book themselves and for less return on the sale of it than they would get if they published the work themselves. If you are going to have to market the book anyway, why bother giving a publisher the lion’s share of the profits. It’s more work, I would say, than is warranted for the return.
In light of these facts, self-publishing makes more sense than ever before. Whether the stigma exists today or not, the process of self publishing through an entity like Amazon is relatively easy to learn and many writers already possess the skills necessary to do it. But make no mistake, there is a lot to learn and it is very hard work if you want to provide the reader with the quality they expect when they purchase a book. It’s not for the hobbyist, but requires a serious commitment.
After catching up with editing and formatting corrections, I am ready to finalize work on the cover design this week and to do some research into the necessary metadata required for marketing the book. Hopefully, I will be able to order and survey a proof copy of the printed book and be ready to set a date for release in September, 2 to 3 weeks from today. It’s hard to keep from accelerating the process. The temptation to get ahead of myself is great, but there is something to be said for putting out the very best quality in a book that you can muster.
I’ve already started working on formatting a novel I’d already written and finished last year. I would like very much to have that one ready for release before the holidays. Taking the experience I’ve gained in publishing Shrapnel will make the process more fluid in future projects. It will not be less work in the long run, but that work will be more efficient with every book I produce.
There will be many, I can promise you that.
Watch this space.
Publication for my anthology of short fiction, Shrapnel: Short Stories, may be only 2 – 3 weeks away.
The anthology will feature both new fiction and previously published work, such as the award winning short story, Knitting the Unraveled Sleeves, which appeared previously in the Eric Hoffer Award Anthology, Best New Writing, 2013, where it was featured as one of two short stories to receive the Editor’s Choice Award. Other stories include those published previously in literary magazines around the world, along with many new and unpublished pieces as well, all selected from a huge body of work that spans nearly fifty years of writing.
Yesterday, a simultaneous edit of both the Kindle and print versions of Shrapnel was completed and the design for the cover will be finalized next week.
We are getting very close to a publication date for Shrapnel. In the meantime, I’m getting a completed novel ready for publication some time before the holidays. It will be the first of many. More about that later.
Watch this space !!
I have been working on this anthology over the past several months, revisiting all my short fiction, a huge body of work fifty years in the making… both published and unpublished work… selecting those stories that I consider to be my very best and combining them in some kind of logical order… a difficult task, since this is an extremely eclectic collection of fiction.
Following months of work in compiling, editing, and formatting, the book, properly an anthology, is essentially complete and it has been put into the proper file configurations required to produce both print and e-book versions. I will, hopefully, publish both versions simultaneously through Amazon in the very near future… perhaps sometime in early autumn… as my sainted grandmother might say, “…if the Good Lord is willing and the creek don’t rise….” which is a more colorful way of saying, “…barring any unforeseen impediments, difficulties, or calamitous events.” We’ve seen a few of those in recent months, calamitous events.
The print version of book will be soft cover, 6″ x 9″ in size and approximately 170 pages in length. Both print and Kindle versions include stories ranging in length from a very short 150-word experimental fragment in the style of magical realism… to an award-winning and more traditional short story of over 4,700 words. Both published and unpublished work is included in the anthology, all newly edited, but representing my work from as early as 1973 through more recent times, the latest being a short story published in March of 2020. The theme and the title of the book are derived from a poem I wrote a while back, and it is included in the front of the book as a kind of prologue:
Shrapnel: A modern American koan
Truth is never elusive.
It sits pretty on the table
like a hand grenade.
Pull the pin.
A good story does more than entertain. It reaches out for the truth we need to hear… picks it up and pulls the pin. Hopefully, one or several of the stories in my anthology will do just that for my readers, pull the pin on some truth we need to hear and consider. Good fiction will rock your world. Beyond mere entertainment, such is my intent.
It’s always been my belief that fiction is a more perfect way of telling the truth unimpeded by personal inhibitions and fear. When the story is divorced from the reality of a personal connection on the part of an author, we can express those hidden things we never otherwise would even so much as whisper to ourselves in the dark night of our dreams. If the writer dares and succeeds in the risk, the reader will be changed accordingly. As Norman Mailer suggested, writing is the “spooky art” and I maintain that it can be entirely subversive when properly applied. Even dangerous.
Once this preliminary project is completed and out there, I have about a dozen novels in various stages of preparedness for publication that could follow in its wake at the rate of about two or three per year. More about that later.
Watch this space for further announcements as the publication date draws near.
“Shrapnel: Short Stories…. Coming soon. An eclectic collection of short fiction selected by the author.” by James Lloyd Davis is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Exception to the CC License as follows: The poem, Shrapnel: A modern American koan (© 2020 James Lloyd Davis) and the book cover rendered above and for the book, Shrapnel: Short Stories are covered by applicable US copyright law and may not be reproduced without permission by the author.