Finished the full review of the proof copy for Shrapnel this evening and made the necessary alterations and corrections to the basic revised file for the printers. I will upload the changes tomorrow and, essentially, the print edition should be ready for release after a couple of days. I still have to make the final review of the file for the Kindle edition, which has a different format and that should be ready to upload sometime on Thursday. Shrapnel: Short Stories is an eclectic collection of my literary short fiction and the release for both print and Kindle versions will be on the same day next week. I’ll announce the firm release date when it’s known. This anthology was my first venture into publishing, but it will not be the last. Frankly? I love it.
This process has been an education and a grand preparation for publishing one of my novels in the near future.
The novel I plan to work on next was completed last year and it will now be reworked, edited, and refined. It’s a thriller with a twist and it represents an opportunity for me to appeal to a much wider audience than that which appreciates a literary anthology, so it will also be a grand experiment in marketing… now that I have learned the basic “mechanical” aspects of the process. With that first novel, I will likely consider expanded distribution and some of the more sophisticated methods for cover design and interior layout. At this point there is absolutely nothing to lose and everything to gain.
Watch this space.
On the path to publishing my book, I’ve had to stop, step back, and start over more than once, but with increased effort, I still managed to stay fairly close to my original schedule. Very close now, in fact, to the announcement of a firm release date.
My anthology of short fiction was more or less complete about a month ago, but there is more to publishing a book than most writers generally imagine. It’s been a series of discoveries for me, not unpleasant, but a lot more work than I imagined when first I thought of taking this route. There is so much to learn when you are publishing your own work and it is one reason, I suppose, that many writers don’t even try.
There was, in times past, a particular and forbidding stigma attached to “self-publishing” which was generally then referred to as “vanity publishing.” Perhaps that attitude still exists, prevalent, I am sure, among those who are fortunate enough to have successfully bypassed the formidable corps of gatekeepers who surround the modern publishing industry like a moat defending the castle keep, which may sound like hyperbole in metaphor, but not when you’ve tried to approach the industry without a bankable name or a record of previous success.
The decision, finally, to self publish was difficult for me because I am of an age that I felt a strong and personal disinclination to do so, specifically because of that stigma, the belief among writers from my generation that, if a writer was worth reading, he or she could certainly get published… that and the prevailing notion that all self-published books tended to be amateurish and generally bad… that all “vanity publishers” were scammers and thieves. (Not an unfounded notion back then)
However, many publishers in the industry today drastically limit the number of new writers on whom they are willing to take a chance because of strict business guidelines and the corporate need for consistently high investor return. While I have enjoyed success in publishing shorter fiction in literary journals, the task of getting a book considered by a publisher becomes more difficult every year. The competition is more than fierce… it’s forbidding. I know from experience how long and hard that process can be…. and it can take a year or more for a completed manuscript to finally get to print.
Even if a new writer manages to find a publisher willing to take a chance on them, they are expected to put in a great deal of effort into the marketing of the book themselves and for less return on the sale of it than they would get if they published the work themselves. If you are going to have to market the book anyway, why bother giving a publisher the lion’s share of the profits. It’s more work, I would say, than is warranted for the return.
In light of these facts, self-publishing makes more sense than ever before. Whether the stigma exists today or not, the process of self publishing through an entity like Amazon is relatively easy to learn and many writers already possess the skills necessary to do it. But make no mistake, there is a lot to learn and it is very hard work if you want to provide the reader with the quality they expect when they purchase a book. It’s not for the hobbyist, but requires a serious commitment.
After catching up with editing and formatting corrections, I am ready to finalize work on the cover design this week and to do some research into the necessary metadata required for marketing the book. Hopefully, I will be able to order and survey a proof copy of the printed book and be ready to set a date for release in September, 2 to 3 weeks from today. It’s hard to keep from accelerating the process. The temptation to get ahead of myself is great, but there is something to be said for putting out the very best quality in a book that you can muster.
I’ve already started working on formatting a novel I’d already written and finished last year. I would like very much to have that one ready for release before the holidays. Taking the experience I’ve gained in publishing Shrapnel will make the process more fluid in future projects. It will not be less work in the long run, but that work will be more efficient with every book I produce.
There will be many, I can promise you that.
Watch this space.
Presently working on an anthology of published and unpublished short fiction, a personal selection of my best work, going back as far as 1973… including a new short story that has never before seen the light of day.
My wife, MaryAnne Kolton and I have both been widely published in literary magazines, in the USA and abroad. I know the market, follow the vicissitudes of the industry, so of course I know that short story anthologies these days are just about as hot as a minor iceberg… and as welcome in the slush piles of book publishers as Covid-19. Agents? Forget about it.
Accordingly, I’ve done some research on the available alternatives and will likely self-publish one anthology of my work and one of hers as well sometime this year. KDP Amazon seems, for us anyway, the best venue, since there is no real investment involved, no cost to us other than our time, though a lot of time is required. I have plenty of that and I want to get a collection out there for the least reason that everyone who knows my work is hounding me to do something.
This seemed like the answer to that small demand… plus, I am fascinated by the possibilities here. Were I a young man, I would probably start a publishing company:
1: Because I’m crazy.
2: Because writing is my passion.
3: The industry is fundamentally changing, quite ready for a tectonic shift… and now is the time to leap into it, when everybody is moaning about the demise thereof and one can define the way forward, for better or worse.
4: The available technology is incredible and anyone who possesses the least technical capability can literally launch an empire with little or no capital or resources other than a decent desktop and a willingness to learn new ways of doing things. Add some creativity and an artistic predilection and you too can be a media magnate.
Or something like that.